AEG LIVE-TMG Presents:
Big Gigantic
Ana Sia
Wed, November 21, 2012
Doors: 7:00 pm / Show: 8:00 pm
Marathon Music Works
Nashville, TN
This event is 18 and over
18 & Over with proper photo ID. no re-entry
Click here for answers to frequently asked questions about our venue. I.E. parking, ID requirements, hotels, food, etc.
Absolutely no refunds - no exceptions.
Lineups and times are subject to change.
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http://www.marathonmusicworks.com/event/153463/
Big Gigantic

Big Gigantic, whose blend of mind-bending beats, thunderous bass, and frenetic melodies has developed a rabid following since forming in 2008, has taken their sound to yet another dimension with the release of their newest album 'Nocturnal' (available now for FREE download at www.biggigantic.net). The album, by Boulder, CO-based saxophonist/producer Dominic Lalli and drummer Jeremy Salken, solidifies Big Gigantic as a key player in the worlds of electronic, dance, and hip-hop.
With a provocative sound that's as thoughtful as it is danceable, Big Gigantic's new songs like "Nocturnal" and "Hopscotch" weave whirling melodies into addictive beats and samples that wouldn't sound out of place on a Kanye West or LCD Soundsystem single. No genre is off-limits for Big Gigantic, whose breakthrough sound channels everything from funk and dub-step to house and hip-hop.
After graduating with a master's degree in jazz at the Manhattan School of Music, Lalli relocated to Boulder and began performing with Salken, experimenting with the idea of interpreting traditional DJ-based music with live instruments. The duo built up early hype in 2008 with local shows and one-offs around the country before releasing their debut album 'Fire It Up' in 2009 and embarking on a full US tour.
Already a smash on the festival circuit, Big Gigantic's transcendent live shows are a showcase of brilliant improvisation and a tightly-knit bond between Salken and Lalli, who breathlessly alternates between keys, sax and laptop, building a futuristic wall of sound that keeps the crowd on its feet. The marathon shows feature a variety of songs new, old and unreleased, as well as outside-of-the-box remixes including Wiz Khalifa's "Black and Yellow," Aloe Blacc's 'I need a Dollar,' and Notorious B.I.G.'s "Notorious Thugs."
With a provocative sound that's as thoughtful as it is danceable, Big Gigantic's new songs like "Nocturnal" and "Hopscotch" weave whirling melodies into addictive beats and samples that wouldn't sound out of place on a Kanye West or LCD Soundsystem single. No genre is off-limits for Big Gigantic, whose breakthrough sound channels everything from funk and dub-step to house and hip-hop.
After graduating with a master's degree in jazz at the Manhattan School of Music, Lalli relocated to Boulder and began performing with Salken, experimenting with the idea of interpreting traditional DJ-based music with live instruments. The duo built up early hype in 2008 with local shows and one-offs around the country before releasing their debut album 'Fire It Up' in 2009 and embarking on a full US tour.
Already a smash on the festival circuit, Big Gigantic's transcendent live shows are a showcase of brilliant improvisation and a tightly-knit bond between Salken and Lalli, who breathlessly alternates between keys, sax and laptop, building a futuristic wall of sound that keeps the crowd on its feet. The marathon shows feature a variety of songs new, old and unreleased, as well as outside-of-the-box remixes including Wiz Khalifa's "Black and Yellow," Aloe Blacc's 'I need a Dollar,' and Notorious B.I.G.'s "Notorious Thugs."
Ana Sia

Ana Sia's DJ crate is a ticker for the hottest sounds of tomorrow. One of the west coast's most celebrated DJs, this SF Bay Area-based tastemaker is known for not only energizing the dance floor, but consistently breaking new sounds from all over the world. Having championed some of the most beloved music festivals in the US, Canada and abroad, Ana Sia has gone from rocking house parties to stadiums by stylistically staying two steps ahead of the game. From huge festivals like Coachella, Lollapalooza, Detroit Electronic Music Festival, Electric Daisy Carnival and others, and an array of clubs and venues spanning every major city, countless college towns and hot spots in between, Ana Sia has built a community just as fun, wild, and eclectic as her style. She has shared the stage with a growing list of artists ranging all styles of electronic dance music, from Diplo to Deadmau5, Datsik to Daedelus...and everybody in between.
Ana Sia jumped off 2012 on NYE in Queenstown, New Zealand as she continues her conquering of sound systems across the globe. Shortly before, she unleashed her first full length contribution, a well-regarded compilation and DJ-mix titled Surreal Estateon Frite Nite, her quickly-rising Cali-based label and crew. A testament to her forward-thinking style, Surreal Estate was featured in music publications such as Resident Advisor, Pitchfork, XLR8R, Sonic Router and more, touted as leading the way with the brightest production minds in North American dance music. Coupled with her growing production catalog and high-profile collaborations underway, Ana Sia looks to make her mark on recorded music as well as the stage. In the meantime, she'll keep crowds enticed -- keeping speakers pumping with big bass-driven, intelligent and sexy music...deep enough for the cabaret and filthy enough for the festival stage.
Ana Sia jumped off 2012 on NYE in Queenstown, New Zealand as she continues her conquering of sound systems across the globe. Shortly before, she unleashed her first full length contribution, a well-regarded compilation and DJ-mix titled Surreal Estateon Frite Nite, her quickly-rising Cali-based label and crew. A testament to her forward-thinking style, Surreal Estate was featured in music publications such as Resident Advisor, Pitchfork, XLR8R, Sonic Router and more, touted as leading the way with the brightest production minds in North American dance music. Coupled with her growing production catalog and high-profile collaborations underway, Ana Sia looks to make her mark on recorded music as well as the stage. In the meantime, she'll keep crowds enticed -- keeping speakers pumping with big bass-driven, intelligent and sexy music...deep enough for the cabaret and filthy enough for the festival stage.