Falling in Reverse & All That Remains: Coming Home to Madness Tour

Falling in Reverse & All That Remains: Coming Home to Madness Tour

Ocean Grove

Wednesday, October 4

Doors: 6:00 pm / Show: 6:45 pm

$25.00 - $50.00

This event is all ages

Absolutely no refunds - no exceptions.

Lineups and times are subject to change.

No re-entry.

 

Falling in Reverse
Falling in Reverse
The scene's most notorious front man Ronnie Radke returns from years of mandatory silence to form Falling In Reverse, the loudest, most hard-hitting rock outfit to hit streets since his departure from Escape The Fate over three years ago. The Drug In Me Is You drops on July 26th and features eleven mega-hits that can be pre-ordered today along with the first single, "Raised By Wolves" available now on iTunes. Check out what Ronnie has been up to here.

After years of drama and speculation following Ronnie Radke's departure from Escape The Fate, the talented frontman lifts himself from the depths of adversity to emerge as one of the most dynamic and talented stars in the music scene today. Joining Radke on his forward climb to claim his position at the top are Jacky Vincent (Lead Guitar), Ryan Seaman (Aiden, I Am Ghost) on drums, bass player Mika Horiuchi and rhythm guitarist Derek Jones.

"Raised By Wolves," the first digital single from Falling In Reverse is a 3:25 minute journey into the mind of Radke - where his brutally honest lyrics break down his tumultuous past, while Falling In Reverse's ferocious sonic breakdowns pick up right where Ronnie leaves off - shredding guitar solos, massive hooks and in your face guitar riffs, reminding us all of what Ronnie is capable of…
All That Remains
All That Remains
Given the world's unpredictability, survival requires reaction. With so many factors beyond our control, the focus of life often becomes about how we respond to these outside forces. The same can be said for music. Regardless of how trends ebb and flow, artists must react appropriately in order to thrive and survive. Since 1998, All That Remains continue to progress, while clenching steadfast to the principals that etched their place at the forefront of 21st century hard rock. On their seventh full-length album, The Order of Things [Razor & Tie], the Massachusetts outfit—Phil Labonte [vocals], Oli Herbert [guitar], Mike Martin [guitar], Aaron Patrick [bass], and Jason Costa [drums]—preserve an ethos of evolution. "You have to adapt to the world around you as opposed to expecting everything to adapt to your perspective," claims Labonte. "You can't really control what goes on in your life, you can only control your reaction. I've gotten a certain amount of peace from embracing this truth. That's the way things go. This is literally The Order of Things. "It's been quite a ride for All That Remains. The group reached another landmark with 2012's A War You Cannot Win. It debuted at #13 on the Billboard Top 200 and yielded two hit singles. "Stand Up" ascended to #1 at Active Rock radio, a first for the band, while "What If I Was Nothing" landed at #2. The group hit the road for sold out shows alongside Volbeat and In This Moment in between incendiary festival appearances at Rock on the Range, Welcome to Rockville, Rocklahoma, and more. It would've been easy to simply repeat themselves creatively. However, they decided to bulldoze a new path for The Order of Things. For the first time, the band tapped Josh Wilbur [Lamb of God, Gojira] for production, cutting the bulk of the record in Massachusetts and fine-tuning vocals in Los Angeles. After four albums with Killswitch Engage's Adam D behind the board, Wilbur offered not just a breath, but a gust of fresh air. "It was a good time to try something different with someone new," affirms Mike. "It was helpful to have a completely new perspective. We had a crazy chemistry working together right away. He made a gigantic difference across the board. I'd love to do more records with him." "It was a massive benefit,dz Phil agrees. "We didn't have any expectations about what we were supposed to do other than write quality music. Moreover, Josh brought his own angle on what All That Remains sounds like and could sound like. It's a mixture of these two elements. That's what this record is. "As a result, the group burst out of the gate with their heads held high once more. Commencing with an entrancing piano intro, album opener "This Probably Won't End Well" tempers an arena-ready beat with an unshakable riff just before Labonte delivers a soaring refrain. "It just seemed like the obvious opening track," says Labonte. "The piano bookends the album, and it just fell into place. It's a strong song, and it flows. The subject matter is self-explanatory and really honest. It's all in there."
The infectious "Divide" sees Labonte and Sagan's voices entwine in a hypnotic harmony, but not before "No Knock" unleashes a brutal and bludgeoning stomp punctuated by searing guitars and the singer's unmistakable growl. "In our entire history as a band, this is the first time I ever swore on a song," Labonte chuckles. "I dropped the F-bomb twice, and the track needed that. I've never been the kind of guy who throws swears in to fill syllables. It fit the vibe for 'No Knock' though. I had to do it." "It came together by accident like some of the coolest things we've done," Mike goes on. "We can do anything in this band. Whether it's a ballad or brutality, it fits within who we are." At the same time, "For You" delivers one of the band's most poignant, potent, and poetic hooks. Augmented by acoustic guitars and a bombastic energy, it's yet another side of All That Remains. "That's a personal song,dz adds Phil. "It's pretty straightforward. We were thinking of it a little differently." Jeanne's voice adds another dimension to The Order of Things standouts like "Bite My Tongue." "We didn't even know she could sing like that," admits Mike. "Josh made her comfortable enough to try it, and she delivered. It makes for something very special." After the hyper-charged thrashing of "Tru-Kvlt-Metal," everything ends where it began with a piano during "Criticism and Self-Realization." It creates a cohesive journey from beginning to end that beckons full attention. Those dynamics have defined All That Remains since day one. It's why they've not only persevered while the musical landscape morphed and changed, but also why they've become veritable hard rock leaders, shaping the scene and then skyrocketing past its confines. Their worldwide album sales exceed over one million, while track sales surpass 1.5 million. Their position at the top of Active Rock radio remains indisputable with six singles going Top 10 at the format, three of which went Top 5 or higher. However, All That Remains continue reacting at every turn, igniting a personal revolution in the process. "There's something for everybody," concludes Mike. "It's just about writing solid songs. It's our philosophy and approach." "To be flat out honest, all I want is for people to walk away from our shows or records feeling better," Phil leaves off. "If they're bummed out, they come to a show, and they leave feeling good, that's great. I hope someone hears a song and feels even better than they did before it started. That's who we are."
Ocean Grove
Ocean Grove
Ocean Grove are not just another band; they are a collective. Emerging from the depths of Melbourne in 2010, Ocean Grove have progressively developed a distinguishable sound like no other. As one of the most talked about acts in the heavy music world, Ocean Grove aren’t going to buy your respect, they are going to earn it as per their binding agreement in The Rhapsody Manifesto.