Marathon Music Works

Gaslight Anthem with special guest Against Me!

Gaslight Anthem with special guest Against Me!

Against Me!, TWOPOINTEIGHT

Wed, October 8, 2014

Doors: 7:00 pm / Show: 8:00 pm

Marathon Music Works

Nashville, TN

$25.00 - $28.00

Tickets Available at the Door

This event is 18 and over

Absolutely no refunds - no exceptions. Lineups and times are subject to change.
Gov't issued ID required. No re-entry.

The Gaslight Anthem
The Gaslight Anthem
The late Nashville songwriter Harlan Howard famously defined the ingredients of a great song as “three chords and the truth”. Every songwriter knows three chords, but laying bare the truth? Now that can be an altogether trickier affair…

On January 18, 2012, The Gaslight Anthem piled into their old tour van and headed across the New Jersey state line for a 14 hour road trip to Nashville on their own quest for the truth. Their destination was 2806 Azalea Place, Nashville, Blackbird Studio, where the New Brunswick quartet had booked five weeks recording time with producer Brendan O’Brien (Bruce Springsteen, Pearl Jam, AC/DC). Their mission: to reconnect with rock ‘n’ roll in its most feral, pure, stripped-raw form.

Brian Fallon was thirteen years old when he discovered The Clash’s self-titled debut album in the racks of Sound Effects Records in Hackettstown, New Jersey: the owner of the store promised the young teenager that the record would change his life. He wasn’t wrong.

But there was a time, not so very long ago, when The Gaslight’s Anthem frontman had grown weary of the sound of electric guitars. After three albums of soulful, impassioned, hearts-on-fire punk rock – 2007′s Sink Or Swim, 2008′s The ’59 Sound and 2010′s American Slang – Fallon needed a change of pace, a change of scenery. And so, in January 2011, together with TGA guitar tech Ian Perkins, he formed The Horrible Crowes, a darkly melancholic side-project inspired by his love of The Afghan Whigs, Tom Waits and PJ Harvey. After the band’s acclaimed debut album Elsie dropped in September, Fallon joined fellow punk rock troubadours Chuck Ragan, Dan Andriano (Alkaline Trio) and Dave Hause (The Loved Ones) on the acoustic Revival Tour, airing stripped-down versions of Gaslight Anthem and Horrible Crowes songs to packed rooms across Europe. And then he returned home to New Jersey and Gaslight, re-energised, renewed and ready to make a full-tilt rock ‘n’ roll record again.

“After six weeks of that there’s nothing you want to hear more than a Marshall stack turned all the way up,” he says with a laugh.

The result is Handwritten, the most committed, affecting and compelling album of The Gaslight Anthem’s career to date. Introduced by muscular lead-off single 45, which received it’s world premiere on BBC Radio 1 as Zane Lowe’s Hottest Record In The World on April 30, it finds the Jersey boys in inspired form, decanting ’60′s soul, ’70′s stadium rock, ’80s hardcore and ’90′s grunge into eleven white-knuckle, blue-collar everyman anthems. Brian Fallon likens its incandescent electrical storms to “Tom Petty songs [being] played by Pearl Jam”. Put more simply, it’s a supercharged American rock ‘n’ roll classic.

“We’ve taken everything we do and gone to 10 with it,” says the singer. “This is definitely the Gaslight Anthem record I would want next, if I were a fan. American Slang was cool, but this sounds like a band who has plugged back into the electric socket again.”

“I think these songs are the closest thing to what we should have always sounded like,” adds guitarist Alex Rosamilia. “We just hadn’t figured out yet how to play it right.”

Fallon credits Brendan O’Brien for capturing the raw, live-off-the-floor feel of Handwritten. Fine-tuned in the living room of the small rental house the band shared in Nashville, its eleven tracks were recorded with the whole band eyeball-to-eyeball in one room at Blackbird, vibing off one another’s energy. The electricity in the recordings is tangible.

“Brendan taught us a ton about songwriting and recording as a band,” Fallon notes. “The whole experience was amazing. That’s the guy that recorded Pearl Jam, that’s the guy that recorded Bruce Springsteen, that’s the guy that did Rage Against The Machine; and that’s the guy you want to say ‘It’s good’, because when he says it’s good, that’s when it’s good.”

The purity of O’Brien’s stark, unadorned recording process served to inspire Fallon’s approach to the lyrical themes on Handwritten too. Where previous Gaslight Anthem albums evoked deathless images of Americana – all Cadillacs, jukeboxes, Ferris wheels and wistful, romanticised vignettes of star-struck lovers disappearing into the great wide open – Handwritten is rooted in Fallon’s own experiences, lending the record a more immediate, emotional edge. “Now I am no angel but I got nothing to hide,” the singer rasps on the brooding grunge-noir of Too Much Blood. “Can you say the same thing for yourself tonight?”

“It’s supposed to be a letter to whoever is listening,” says Fallon. “Like, this is what we got beat up by and maybe you did too. There’s so many things that I just never wrote about, real personal stuff that I just wasn’t ready to talk about yet. Now I think being an adult I have some reflection on it.”

“We wanted to look back on the music that we first found when we were in high school. The truth is, if you’re my age, you were listening to Peal Jam and Nirvana and Soundgarden. When that music came out these were guys that we could relate to. They weren’t the biggest bands in the world by accident.”

And it’s no accident either that with Handwritten, the Gaslight Anthem themselves sound built to take on the world. After years paying their dues in the punk rock underground, their major label debut is assuredly the work of a young band who know their time is now. And their laidback, charismatic frontman is ready…

“I’ve always been ready for arenas,” Brian Fallon smiles. “I’ve just been waiting for them to catch up to me. I want to play Giant Stadium, I always wanted to be a major label, major league band. If I can be the kid that’s on the cover of Time magazine, I’ll take it. And I’ll buy you a drink while I’m at it…”
Against Me!
Against Me!
To pirate the title of one of their early songs (and still a set-list staple), Against Me! is a band that laughs at danger and breaks all the rules.

Fronted by Laura Jane Grace, AM!'s much-anticipated latest offering, Transgender Dysphoria Blues, is scheduled for release in January 2014. The title of their sixth album offers a direct nod to news that shocked fans and shook up the rock world when it was dropped—Grace is a transitioning transgender person.

Formerly known as Tom Gabel, she revealed her story in the May 12, 2012 issue of Rolling Stone (readers curious to learn more about the transition can check out Laura Jane's "My First Year as a Woman" journal online in Cosmopolitan).

Because Transgender Dysphoria Blues marks the band's first release with Grace as a woman, there are a lot of misconceptions: The record is neither a radical stylistic departure nor a "concept album." Rather, it's just another bold step forward for an artist doing what she has always done—forging her own path by processing the highs and lows of life through music.

Against Me! began as an anarchist solo act in Gainesville, Florida in 1997. After transforming into a traditional four-piece a few years later with the crucial addition of guitarist James Bowman, they quickly became a driving force in the punk scene—despite facing an abundance of unsolicited danger.

While emerging unscathed from two separate road tour spinouts and, more recently, enduring a flying mic stand which cost Grace her front teeth, Against Me! have played in all 50 states and 29 countries, cranking out an average of 200 sweat-drenched, fist-pumping, shout-a-long live gigs per year over the past decade. Their music runs the gamut from thrashing to anthemic to intimate, with Grace's pointed lyrics and powerhouse voice blending vitriol and vulnerability like few other performers.

With a healthy dose of folk and even some old-school country in their sound, the band's first three indie full-lengths (2002's Against Me! is Reinventing Axl Rose, 2003's As The Eternal Cowboy and 2005's Searching For A Former Clarity) earned them a rabid and steadily growing following.

Their 2007 major label debut, New Wave, was produced by Butch Vig (Nirvana, Garbage, Green Day) and named "Album of the Year" by SPIN Magazine. The early-Springsteen-esque raver "Thrash Unreal" reached #11 on the Modern Rock charts, and in addition to a headlining tour, the band also supported the Foo Fighters on the road in 2008.

After 2010's White Crosses (which peaked at #34 on the Billboard charts), the band parted ways with Sire. It was at this time that Grace went through an intense soul-searching phase and eventually decided to transition, going public with the gender dysphoria she had been dealing with since childhood.

As might be expected with such an intensely personal project, Grace took complete creative control of Transgender Dysphoria Blues. She not only assumed producing reins for the first time but even built the Florida studio, Total Treble, where the demos were recorded. Then—more danger struck. During a tornado, a tree crashed through the roof of the studio.

After that mishap, the full record was recorded without further incident at three separate facilities: Dave Grohl's 606 Studios in Northridge, California; Motor Studios in San Francisco; and Earth Sounds in Valdosta, GA.

Which is certainly not to say Transgender Dysphoria Blues is a "safe" record. Grace's soul is brutally laid bare here in this riveting 10-song collection. While four of the tracks directly address the unique anxieties and fears inherent with being transgender, they still crackle with universal resonance.

The song "Transgender Dysphoria Blues," written before Grace announced her transition, artfully folds the specter of hateful public perception ("You want them to notice, the ragged ends of your summer dress… They just see a faggot.") into an irresistible chugga-chugga arrangement, given ballast as always by Bowman's bouncing guitar and full-bore backing vocals.

Then there is the defiant battle cry of "True Trans Soul Rebel" (released in tandem with "FUCKMYLIFE666" on-line to fans through the Against Me! website in the Fall of 2013). Evoking fatalistic images of escape, the song ultimately showcases the strength both of Grace's spirit and voice, soaring mightily as it does when she asks the question "Does god bless your transsexual heart?"

The balance of the record covers typical Against Me! touchstones—from matters deeply personal (the sizzling "Unconditional Love"); to political ("Osama Bin Laden as the Crucified Christ," which recalls Sandinista!-era Clash and the band's own "From Her Lips To God's Ears (The Energizer)") and even the music biz—"Black Me Out" is a flat-out showstopper, with Grace ramping a slow-burn into withering nuclear scorn, screaming at an unnamed power-abusing exec that she wants to "chop those brass rings off your fat fucking fingers" and "piss on the walls of your house."

Joining Grace and Bowman in the band are a brand-new rhythm section. Longtime bass player Andrew Seward amicably departed Against Me! in 2013 after 11 years with the band. Fat Mike of NOFX (also the owner of Motor Studios) handled bass duty on the recordings of "FUCKMYLIFE666" and "Unconditional Love," while Laura Jane played on the album's other eight tracks.

Since that time, Inge Johannson (formerly of Sweden's International Noise Conspiracy, and a surefire winner of the "Scandinavian Ramones Lookalike Contest," if one is ever held) has come aboard as the full-time bassist.

The new drummer is punk stalwart Atom Willard, who launched his career as a teenager with Rocket From the Crypt and has had stints with the Offspring, Angels & Airwaves, and Social Distortion. Willard replaced Jay Weinberg, who'd toured with the band since late 2010.

With the lineup changes, Grace acknowledges that Against Me! may be in a state of flux, but the mission is still real: "If I didn't feel like I had something that I really needed to say with the album we've been working on for the past year then I'd humbly hang the hat and move on," she said in the wake of Seward's departure.

2013 saw another career milestone for Grace, as she co-wrote a song ("Soulmates to Strangers") with rock royalty Joan Jett for Jett's Unvarnished album. Against Me! is set to tour behind the new record in 2014 with an attitude perhaps best summed up by these lines from "FUCKMYLIFE666": "No more troubled sleep. There's a brave new world raging inside of me."
TWOPOINTEIGHT