Young Money Presents

Lil Wayne

All Ages

About This Event

VIP 1: Lil Wayne - Early Entry Package
Includes:
- One General Admission Ticket
- Lil Wayne Surprise Autographed Item
- Lil Wayne VIP Exclusive Skate Item
- 2 Additional Lil Wayne VIP Merchandise Items
- Early Entry to the GA floor before the general public
- Commemorative VIP Early Entry laminate

VIP 2: Lil Wayne - VIP Merchandise Package
Includes:
- One General Admission Ticket
- Lil Wayne VIP Exclusive Skate Item
- 2 Additional Lil Wayne VIP Merchandise Items
- Commemorative VIP Laminate

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PLEASE RIDESHARE - Parking is limited around the venue. We strongly recommend using rideshare apps like Uber or Lyft for transportation to and from the venue. There is a designated rideshare pick up / drop off location near the entrance for your convenience.

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This show currently has no COVID safety requirements for attendees. This is subject to change. If this changes we will be sure to update this page as well as notify all ticket buyers via email.

Artist Info

Lil Wayne
Lil Wayne began his career as a near-novelty, a preteen delivering hardcore Southern hip-hop. Through years of maturation and prolific output, during which the delivery of his humorous and wordplay-heavy rhymes gradually changed from ringing and pugnacious to stoned and rasped, he developed into a million-unit-selling artist with a massive body of work, one so inventive and cunning that it makes his claim of being the "best rapper alive" worth considering. Wayne debuted at the age of 12, received his first platinum certification five years later as a member of , and immediately thereafter became a formidable solo artist with Tha Block Is Hot (1999), his first of 12 Top Ten albums on the Billboard 200. During a period of constant output, entailing not just successful full-lengths but also reputation-building mixtapes and featured appearances on pop hits like 's "Soldier" (2004), he reached mainstream superstar status with Tha Carter III (2008). A triple-platinum blockbuster, it spawned the number one pop hit "Lollipop" and the number six follow-up "A Milli," and netted three Grammy awards, including Best Rap Album. Throughout the 2010s, despite numerous legal and creative battles, Wayne continued to be a regular presence on the upper reaches of the charts with albums such as Tha Carter IV (2011) and I Am Not a Human Being II (2013), additional smash singles as a headliner, and a continually lengthening list of collaborative hits, including the multi-platinum "Sucker for Pain" (for the Suicide Squad soundtrack in 2016) and "I'm the One" (headlined by  in 2017). Since the latter hit, Wayne has topped the Billboard 200 with the consecutive LPs Tha Carter V (2018) and Funeral (2020), and has continued to issue non-album singles and mixtapes, like his 2021  collaboration Trust Fund Babies. Born Dwayne Michael Carter, Jr. and raised in the infamous New Orleans neighborhood of Hollygrove, Lil Wayne was a straight-A student but never felt his true intelligence was expressed through any kind of report card. He found music was the best way to express himself, and after taking the name Gangsta D he began writing rhymes. Combining a strong work ethic with aggressive self-promotion, the 11-year-old convinced the  label to take him on, even if it was just for odd jobs around the office. A year later, in-house producer  partnered him with the 14-year-old  and dubbed the duo the B.G.'z. Although only 's name appeared on the cover, the 1995 album True Story has since been accepted as the B.G.'z debut album both by fans and the  label. The 1997 album Chopper City was supposed to be the follow-up, but when Wayne accidentally shot himself in the chest with a 9mm pistol, it became a solo  release. That same year, he officially took the moniker Lil Wayne, dropping the "D" from his first name in order to separate himself from an absent father. He joined , , and Young Turk for another  project, the teen hardcore rap group , who released their debut album, Get It How U Live!, in 1997. Two years later,  signed a distribution deal with the major-label Universal. Mainstream distribution helped that year's  album Guerrilla Warfare to reach the number one spot on Billboard's Top R&B/Hip-Hop Albums chart. In 1998, Lil Wayne appeared on 's hit single "Back That Thing Up," or "Back That Azz Up" as it appeared on 's album 400 Degreez. Wayne launched his solo career a year later with the album Tha Block Is Hot, featuring the hit single title track. It went double-platinum but the rapper was still unknown to Middle America, since his hardcore rhymes and the rough  sound had not yet crossed over. His second album, Lights Out (2000), failed to match the success of its predecessor but it did go gold, and with an appearance on ' hit single "#1 Stunna," his audience was certainly growing. While  was primarily responsible for launching his career, Wayne was now much closer to 's fellow  and  CEO . When  left the label, Wayne -- or "Birdman Jr." as he was calling himself -- showed his allegiance to his CEO by releasing an album with a title much hotter than 's breakthrough effort. 500 Degreez landed in 2002 and while it went gold, rumors began flying about 's financial troubles and possible demise. The rest of  had defected and Wayne's planned 2003 album was scrapped, coming out instead as an underground mixtape called Da Drought. Wayne became enamored with the mixtape world after Da Drought drew so much attention from the hip-hop press. He used these underground releases to drum up anticipation for his next official album, the breakthrough effort Tha Carter. Released in 2004, the album seemed familiar on one hand with 's production, but the Wayne on the cover was a dreadlocked surprise, and the rhymes he laid on the tracks showed significant growth. His marketing skills had become sharper, too, and it was no mistake that the album's hit single, "Go DJ," mentioned hip-hop's greatest tastemakers right in the title. It reached number five on the singles chart, and with a guest shot on 's number three single "Soldier," Wayne had officially crossed over. On the flipside, his street cred was supported by a slew of mixtapes released in 2005, including the popular titles Dedication with  and Tha Suffix with . 's future was no longer in doubt and traditional music business rules no longer seemed to apply, as tracks were leaked onto the Internet and various DJs' mixtapes. "Get Something" was another bold move, as a Universal-funded video was made without the track ever seeing official release. With his alternative marketing scheme working in overdrive, the 2005 landing of Tha Carter II was a major event, selling over a quarter-million copies the week of its release. "Fireman" and "Shooter" with  were released as singles, while the album -- which for the first time featured no  productions -- went platinum. It also introduced his  posse, with appearances from  and , and initially came with a bonus disc featuring Wayne's greatest-hits screwed and chopped by  DJ Michael "5000" Watts. A year later he collaborated with  for the Like Father, Like Son album, featuring the hit single "Stuntin' Like My Daddy." His mixtapes were still flooding the underground, including the stunning Dedication 2, which came with an iconic image of the rapper on the cover plus the much talked-about track "Georgia...Bush," a venomous response to President George W. Bush's handling of the Katrina disaster. With no official follow-up to Tha Carter II in sight, numerous collaborative tracks kept the rapper in the mainstream with "Gimme That" by , "Make It Rain" by , and "Duffle Bag Boy" by  becoming three of the biggest hits. Tha Carter III was promised for 2007 but didn't arrive until a year later, setting off Wayne's reputation for delayed releases. Part of the problem was the unauthorized leaks of the album's tracks, something combatted by the official downloadable EP The Leak, released that same year. Preceded by the number one hit "Lollipop," Tha Carter III arrived in May 2008, selling more than a million copies in its first week of release. An appearance on Saturday Night Live and a handful of Grammy Awards -- including Best Rap Album -- spoke to Wayne's mainstream acceptance. He also performed at that year's Country Music Awards with , but rather than rap, he played guitar. The guitar playing was part of Wayne's new involvement with rock music, including his help in signing  to  plus an appearance on 's massive hit "Let It Rock." His planned rock album was previewed with the 2009 single "Prom Queen," but when the album failed to meet its promised April release, the music press began to portray the rapper as the king of missed street dates. Unconcerned, Wayne forged ahead with his  crew, releasing the underground mixtape Young Money Is the Army, Better Yet the Navy, the aboveground single "Every Girl," plus the official album We Are Young Money that same year. His rock album, Rebirth, finally appeared in early 2010, and coincided with Wayne being sentenced to a nine-month prison term for criminal possession of a weapon. The rapper may have been behind bars on Riker's Island, but that didn’t stop his ten-song EP, I Am Not a Human Being, from seeing the light of day in September 2010. Tha Carter IV was finally released in 2011 along with its lead-off single "6 Foot 7 Foot." The album reached the top spot on the Billboard 200. In 2013, unfazed by criticism that a controversial verse he contributed to 's "Karate Chop" -- he made a reference to Emmett Till, a black teenager gruesomely murdered in 1955 by white men -- was in poor taste, Wayne released a second volume of I Am Not a Human Being. The album debuted at number two and featured the singles "No Worries" and "Love Me." A sequence of singles intended for the repeatedly delayed Tha Carter V ensued, with "Believe Me," featuring , an addition to Wayne's stockpile of certified platinum hits. Another track -- "Nothing But Trouble" featuring  -- was released in 2015 as a contribution to the soundtrack for 808: The Movie. That same year -- to make up for fan disappointment over Tha Carter V's delays -- Wayne self-released Sorry 4 the Wait 2. By 2016, Wayne had become embroiled in a legal battle with  and , further complicating the fate of Tha Carter V. These continued delays prompted the release of the Free Weezy Album, yet another mixtape to tide over his fans. By the end of the year, he published a memoir about his time spent at Riker's Island (Gone 'Til November) and scored another hit with "Sucker for Pain," a collaboration for the chart-topping Suicide Squad soundtrack. The all-star track topped the Billboard rap chart and rose to number three on the R&B/hip-hop chart. 's "I'm the One" became one of Wayne's biggest collaborations the following year, topping the pop chart on its way to quintuple-platinum status. Primarily collaborative work continued well into 2018, including a contribution to the -driven soundtrack for Superfly, until Wayne finally issued the oft-grim Tha Carter V, the chart-topping finale to the Carter series. After joining  in 2019 for a co-headlining tour and mashup single "What's My Age Again/A Milli," Wayne completed album 13, Funeral. Featuring a broad range of guest MCs -- , , and  among them -- the set was issued in January 2020 and entered the Billboard 200 at the top. In July of that year, Wayne re-released his 2015 mixtape Free Weezy Album as FWA. The project had seen an exclusive release on only one streaming service five years earlier, but the wider release was markedly different, with some tracks omitted completely and new mixes of songs that formerly included uncleared samples. 2021 saw the tracks "B.B. King Freestyle (with )" and "Funeral" top the Billboard charts, and the release of the one-off single "Ain't Got Time" featuring . In October of that year, Wayne teamed up with  for the ten-song mixtape Trust Fund Babies. The project included only one featured guest spot from . In January of 2022, Wayne's 2011 mixtape Sorry 4 the Wait arrived on streaming services for the first time. Originally a stopgap release intended to sate fans waiting for the long-delayed Carter IV, the newly refreshed version of the tape included four songs recorded around the time of its re-release and included guest spots from  and Allan Cubas. ~ David Jeffries & Andy Kellman, Rovi