Lightning 100 Presents
Tim Kasher, Frances Quinlan
Friday, October 13
Doors: 6:30 pm / Show: 8:00 pmMarathon Music Works
This event is all ages
Absolutely no refunds - no exceptions. Lineups and times are subject to change.
Conor Oberst has partnered with Plus1 so that $1 from every ticket sold will go to support Planned Parenthood and their work delivering vital reproductive health care, sex education, and information to millions of women, men, and young people in the US and worldwide.https://www.marathonmusicworks.com/event/1496677/
Kasher will be touring as a five-piece band in support of No Resolution, with instrumentation including cello, violin, vibraphone, keys, bass, drums, and trumpet. Kasher and his band are known for engaging live shows, balancing his irreverent wit and charm against a back drop of songs that range from somber beauty to raucous revelry. He pulls songs from the new and amazing No Resolution and his previous solo albums, The Game of Monogamy and Adult Film. There’s often a few of his songs from his other bands, The Good Life and Cursive, woven into the mix as well!
Kasher is known for pushing musical boundaries throughout his career – whether he’s switching up sounds between his bands and solo LPs, crafting intricate concept albums, or transforming songs originally conceived as a soundtrack for his self-penned screenplay into a standalone album (The Good Life’s 2007 release Help Wanted Nights). No Resolution is his most cinematic creation, a moving and cathartic collection of soundscapes that feels more like a suite of movements than a standard pop album, complete with instrumental breaks conjoining the nine songs. Fittingly, the 15 pieces will be featured in Kasher’s directorial debut film of the same name, which he also wrote, to be released later this year. Across the album’s strong story, the characters – an engaged couple on the brink of a break up – grapple with the specific and the broad, including the restlessness of adulthood and smothering external pressures; relationships in various states of transition and the walls built within them; distrust, indecision, and despair; and the existential anxiety that drives a deep need to leave a mark on the world. Filled with lush arrangements that include piano, vibraphone, organ, trumpet, synths, and various strings, the album is some of the most beautiful and finely orchestral music from Kasher, yet it is also his most subdued and understated work.