Big Gigantic

Sold Out: Big Gigantic

shallou, Hustle Up

Sunday, February 18

Doors: 6:30 pm / Show: 8:00 pm

$20.00 - $50.00

This event is all ages

Big Gigantic
Big Gigantic
Big Gigantic, whose blend of mind-bending beats, thunderous bass, and frenetic melodies has developed a rabid following since forming in 2008, has taken their sound to yet another dimension with the release of their newest album 'Nocturnal' (available now for FREE download at The album, by Boulder, CO-based saxophonist/producer Dominic Lalli and drummer Jeremy Salken, solidifies Big Gigantic as a key player in the worlds of electronic, dance, and hip-hop.

With a provocative sound that's as thoughtful as it is danceable, Big Gigantic's new songs like "Nocturnal" and "Hopscotch" weave whirling melodies into addictive beats and samples that wouldn't sound out of place on a Kanye West or LCD Soundsystem single. No genre is off-limits for Big Gigantic, whose breakthrough sound channels everything from funk and dub-step to house and hip-hop.

After graduating with a master's degree in jazz at the Manhattan School of Music, Lalli relocated to Boulder and began performing with Salken, experimenting with the idea of interpreting traditional DJ-based music with live instruments. The duo built up early hype in 2008 with local shows and one-offs around the country before releasing their debut album 'Fire It Up' in 2009 and embarking on a full US tour.

Already a smash on the festival circuit, Big Gigantic's transcendent live shows are a showcase of brilliant improvisation and a tightly-knit bond between Salken and Lalli, who breathlessly alternates between keys, sax and laptop, building a futuristic wall of sound that keeps the crowd on its feet. The marathon shows feature a variety of songs new, old and unreleased, as well as outside-of-the-box remixes including Wiz Khalifa's "Black and Yellow," Aloe Blacc's 'I need a Dollar,' and Notorious B.I.G.'s "Notorious Thugs."
All Becomes Okay is the debut EP from shallou aka Joe Boston. Boston grew up in Rockville, Maryland, just outside of Washington, DC. He attended college in New Orleans, and then moved to Chicago, where he began making electronic music in his bedroom.

shallou has come a long way from the bedroom. “Begin,” the first single from All Becomes Okay, recently hit #1 on Sirius XM Chill. He has over 23 million total streams already on Spotify, including over 12 million on “Doubt (Summer Edit).” An excellent live performer, shallou has honed his craft across North America, touring with Petit Biscuit, Roosevelt, El Ten Eleven, and more.

All of this has shallou primed to break out, and All Becomes Okay is his first major move towards the mainstream.

An electronic album with an indie heart, All Becomes Okay is a stunning debut for shallou, a full artistic statement in five songs. Boston describes his music as “happy/sad,” and though that might sound like an oxymoron, it functions as a perfect descriptor for shallou’s brand of music, a dark and beautiful mix of ambient textures and dance rhythms.

Forgoing the easy crowd-pleasing ecstasies of typical electronic music, shallou aims for the mind as well as the heart. The EP is structured to be listened straight through as one complete piece of music, but the singles can stand easily on their own. All Becomes Okay is music made for headphones just as much as it is for the live show.

The title comes from living in a fearful world. “Working on this music alone, I’d get all in my head,” says Boston. “Watching the news with everything going on in the world, I developed all of these weird fears. ‘All Becomes Okay’ was kind of a mantra I wanted to repeat to myself and tell other people. It’s not a passive thing, but an active hope.”

That’s what “happy/sad” music means. It’s music that you can dance to, or you can listen to it alone in your bedroom. The music comes to you and meets you wherever you are. It’s a gift, a sliver of hope in a dark night, a moment of solace for all the thinkers and dreamers of the world.
Hustle Up
Hustle Up
Nashville based Hustle Up has a simple taste for good times, crunchy beats and dank coffee. Influenced by old jazz/funk records and southern rap beats his music production styles range from minimal, experimental trap to beat driven, lofi hip hop and soulful house with bits of lush synth chords, nostalgic samples and warm vinyl textures sprinkled throughout. He is currently working on a beat tape of sample based hip hop beats as well several collabs in the works with some of Nashville's heavy hitters in the beat scene.