Descendents

Descendents

Radkey, Raelyn Nelson

Friday, May 25

Doors: 6:30 pm / Show: 8:00 pm

$30.00 - $60.00

This event is all ages

Descendents
Descendents
The DESCENDENTS invented pop punk. Overstatement? Perhaps, but spend ten minutes scanning FM or the idiot box and you're bound to witness a ditty or video that tips its hat to a musical genre that was refined to a high art -- if not created outright -- by the 'Dents. Formed in 1978 against the fertile musical backdrop of Los Angeles' South Bay scene (see: Black Flag, Minutemen, SST Records, etc.), the caffeine-addled crew released their first 7" single "Ride The Wild" as a trio in 1979. Not long after, the boys recruited one Milo Aukerman (microbiology Ph.D. in waiting and poster boy for adolescent ne'er-do-well alienation) for vocal duties.

Milo's fervent mic delivery coupled with his knack for hitting the lyrical nail on its heartrending head plunged him headfirst into the band's fold, and together they released the "FAT" EP in 1981. 1982 saw the release of the stellar "Milo Goes To College," a penultimate fusion of hooks and heartache which inspired the LA Times to write, "perfect for the little guy who was ever called a nerd and never got the girl... (its) earthy humor conveys what is often an inarticulate rage". And Milo really did go to college, leaving the practice room for the hallowed halls of higher education. Drummer Bill Stevenson went on to beat the skins for Black Flag while the guys temporarily hung up the DESCENDENTS moniker, only to reunite with Aukerman for 1985's "I Don't Want To Grow Up" and 1986's "Enjoy!"

The two releases comprise the perfect case study in the dualistic, yin/yang nature of the band's output. While the former is a veritable user's manual for post-pubescent angst, sizing up the themes of life, love, and uncertainty with infectious wit and dizzying energy, the latter is perhaps most notable for its testaments to the, umm... follies of flatulence. Their cover of the Beach Boy's "Wendy" on "Enjoy!" is at once familiar and revelatory, the perfect amalgam of pop sensibilities and punk execution that would earn them fans the world over.

With the introduction of new members Karl Alvarez and Stephen Egerton on bass and guitar respectively, the release of 1987's "ALL" full-length saw a band that had truly come into its own. While the tongue in cheek delivery remained intact, the music had become at once visceral and from the gut, a complex balance of straightforward delivery ("Clean Sheets", "Coolidge") and fringe-y, free jam inflections ("Schizophrenia", "Uranus"). The band toured incessantly throughout the mid and late '80s; all that time on the road paid off in spades in the form of two live albums, "Liveage!" and "Hallraker." And then Milo went back to college. The extant members went on to form the band ALL with ex-Dag Nasty vocalist Dave Smalley, continuing their prodigious musical output while maintaining a hectic tour schedule. It was not until 1996 that we'd see another DESCENDENTS release with "Everything Sucks," a perfect return to the pop punk form that the band had become known for.

Fast forward to 2003, and lo and behold, the DESCENDENTS are back in the saddle with two new efforts slated for the release in 2004: a four song EP entitled "'Merican," and a bona fide full-length LP's worth of new material that goes by the name "Cool To Be You." Seeing as how punk is now a household name, and the ubiquitous "girl song" milieu infests the airwaves, will the DESCENDENTS reclaim their title as Kings of the Lovelorn Anthem? Only time will tell, but this much is certain: If imitation is the sincerest form of flattery, the DESCENDENTS must go to sleep with flushed cheeks every night of the week.
Radkey
Radkey
Garage punk trio Radkey was formed in St. Joseph, Missouri in 2010 by brothers Dee, Isaiah, and Solomon Radke, who grew up listening to their music-mad father’s vast collection of punk, rock and metal records. The band was formed after Isaiah lent Dee his bass guitar so he could play in a local cover band. Seeing his brother on-stage, Isaiah decided that he wanted in on the action; youngest brother Solomon also expressed an interest and took up drumming, and Radkey was born.

Radkey’s Sophomore record, Delicious Rock Noise, was released Nov. 11th, 2016 via Another Century Records. They’ve been actively touring since 2010 including countless headlining shows across the country, major festival performances, late-night television appearances and many notable tours supporting acts such as The Descendents, Jane’s Addiction, Rise Against, Flogging Molly, The Offspring, and The Joy Formidable.

Radkey is currently working on a new record and getting ready for 2018 Spring and Summer touring.
Raelyn Nelson
Raelyn Nelson
As an emerging female country artist in Nashville, history suggests that the quickest path to success is somehow aligning oneself with one of the major publishers, producers, songwriters, labels, or managers that are the heart of Music Row. So what do you do if you are an emerging female country artist in Nashville, and also happen to be the granddaughter of musical icon, Willie Nelson?

You hook up with an independent producer and veteran of the rock/punk scene, write some songs that are part Loretta Lynn, part Cheap Trick, and form the Raelyn Nelson Band.

Raelyn Nelson has been singing since she can remember. Having been raised on a steady diet of traditional country and gospel music, a gift from her grandpa in the form of a guitar during her teenage years was the inspiration she needed to begin writing her own country and folk songs.

Looking for a place to record these songs, a mutual friend suggested
JB (Jonathan Bright), a veteran of the underground rock scene and independent producer. After recording some of these early songs, they decided to try to write some things together and see what happened.
The result? A completely fresh and original sound, a true hybrid referred to by some critics as "Country/Garage Rock."

When they aren't recording their songs or making music videos, they are on the road taking their high energy live show to the people. Having shared the stage with such diverse musical acts as country superstar Tim McGraw, indie rock icons Drivin' n Cryin', and jam band supergroup Hard Working Americans, the RNB is proving that you don't have to fit neatly into any particular "genre" to find success.


"I don't really have any desire to be a 'solo-artist'. Everyone in my family who plays music has always placed a lot of importance on band chemistry, on stage, off stage and in the studio. Our band can almost read each other's minds. Why would I mess with that? We try to keep it simple: Write songs we like, record them, make a video, then go out and play them for people."- Raelyn Nelson