Rolling Stone Presents:
Gather No Moss 2025 with Wet Leg
W/ Hana Vu, Mary In The Junkyard
Sep 23, 2025
Doors: 6:00 pm / 7:00 pm
18 and up

About This Event

Announcing Rolling Stone Presents: Gather No Moss, a four-stop tour showcasing the most exciting new sounds in rock & roll.

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Ticket prices include all fees and taxes. Tickets purchased at the box office have reduced fees.

 
The Box Office at Marathon Music Works is open every Friday from 10am-4pm.
Address: 1402 Clinton St. Nashville, TN 37203

 
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PLEASE NOTE - Marathon Music Works is a cashless venue. Only debit or credit cards are accepted at our bars, box office and guest services window. Please plan accordingly.
 
PLEASE RIDESHARE - Parking is limited around the venue. We strongly recommend using rideshare apps like Uber or Lyft for transportation to and from the venue. There is a designated rideshare pick up / drop off location near the entrance for your convenience.

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Artist Info

Wet Leg

moisturizer is the bold, second album from Wet Leg, the Isle of Wight five-piece founded by Rhian Teasdale and Hester Chambers. Joined by Ellis Durand, Henry Holmes, and Joshua Mobaraki, Wet Leg has spent the past few years on the road, evolving into a feral, electrifying live force. This new record captures that energy, delivering a sound that’s tighter, bolder, and more self-assured, yet still brimming with the same quick wit and raw, unrefined energy.

Isolated in a remote house in the countryside, moisturizer was written in a creative frenzy, diving into themes of obsession and all-consuming love. While their 2022 debut earned Grammy wins and chart-topping success, moisturizer brings the bite: brash guitars, heavy beats, and a fearless devotion to feeling everything—all at once.

- From Domino Recording Company

Hana Vu

Hana Vu's been making music since high school, with a full-length debut and several EPs behind her of glowy, brooding anthems of abstraction and emotion. The Los Angeles-based songwriter signed with Ghostly International in 2021 to release Public Storage, followed by the Parking Lot EP in 2022. Her second LP, Romanticism, arrives in 2024.

Vu's relationship with music began when she picked up a guitar her dad had lying around and taught herself to play. She'd wake up and listen to LA's ALT 98.7, home to '90s and '00s alternative rock. Later she found the local DIY scene, she remembers, "A lot of my peer musicians were surf rock/punk type bands and so I tried to fit into that when I was gigging around. But what I was listening to at that time [St. Vincent, Sufjan Stevens] was very different from what I performed."

In 2014, at age 14, she started keeping a journal of bedroom pop experiments on Bandcamp, developing her sound across a series of self-releases, including a low-key Willow Smith collaboration and covers of The Cure and Phil Collins. Her 2018 single "Crying on the Subway" caught the ear of Gorilla vs. Bear, who released Vu's self-produced debut EP, How Many Times Have You Driven By, on their Luminelle Recordings imprint. Early coverage came from Pitchfork, Billboard, and The Fader, the latter playfully declaring, "The seventeen-year-old is cooler than you and me." She followed it up with a double EP in 2019 on Luminelle titled Nicole Kidman / Anne Hathaway. As a live performer, Vu has supported the likes of Soccer Mommy, Nilufer Yanya, Courtney Barnett, Kilo Kish, and Phantogram.

2021's Public Storage marked her first LP with Ghostly and her first time working with a co-producer, Jackson Phillips (Day Wave). Several press profiles emerged around the release; The Los Angeles Times dubbed Vu "LA's indie-pop prodigy," and NME's headline read, "Hana Vu's contemplative indie-pop captures the disillusionment of young adulthood." Her new LP Romanticism furthers that sentiment as a coming-of-age work that mourns the impermanence of youth and searches for meaning.

- From Ghostly International


Mary In The Junkyard

angry weepy chaos rok trio



Ticket prices for events at Marathon Music Works include ALL FEES. No additional fees will be added at checkout.

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